The International Who S Who In Popular Music 2002

Publisher: Psychology Press
ISBN: 9781857431612
Size: 10.14 MB
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Appearances include: Berkeley Folk Festival, 1966; Monterey Jazz Festival, 1966
; Monterey Pop Festival, 1967; Newport Pop Festival, 1968; Isle of Wight Festival.
1968 .... Patricia Mary Lord, 6 July 1974, 3 s. Education: Drama College. Musical
Education: Self-taught. Career: Member, The Flying Pickets. 4 albums;
International tours from Australia to Iceland. Compositions: Moby Dick, Cameron
Mackintosh musical, Piccadilly Theatre, 1992; Arranger, musical director. Return
To The ...

The Global Jukebox

Author: Robert Burnett
Publisher: Routledge
ISBN: 1134872097
Size: 17.50 MB
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The Global Jukebox not only illuminataes the workings of the contemporary entertainment industries, it captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music ...

Japanese Popular Music

Author: Carolyn S. Stevens
Publisher: Routledge
ISBN: 1134179510
Size: 41.74 MB
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Therefore, this book is filled with a variety of characters: musicians, managers,
recording studio producers, record label executives, retailers, critics, and fans.
This book's aim is to define and analyze developments in Japanese popular
music since 1945. Japan is the world's second largest music market (Condry
2004a: 345) with overall sales in 2002 of almost 4.6 billion yen (Ugaya 2005b:
165), and Japan has held this position in the international market since the late
1980s (Kimura ...

International Film Musical

Author: Corey K Creekmur
Publisher: Edinburgh University Press
ISBN: 0748654305
Size: 22.96 MB
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The term 'art music' should not mislead the reader; it is a sort of popular music,
which, by using 'art', differentiates itself from 'folk music'. 15. ... Select Filmography
The Beloved of Everybody (Herkesin sevgilisi, Nejat Saydam, 1970) Bitter Love (
Buruk acı, Nejat Saydam, 1969) Coconut (Hindistan cevizi, Osman Seden, 1967)
Devil, My Friend (Arkadas ̧ım S ̧eytan, Atıf Yılmaz, 1988) I am the One with ...
Erdog ̆an, Nezih (2002) 'Mute Bodies, Disembodied Voices', Screen, 43, 3, pp.

The Music Industries

Author: M. Jones
Publisher: Springer
ISBN: 1137027061
Size: 45.29 MB
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——(2001) 'The Corporate Strategies ofthe MajorRecord Labels andthe
International Imperative', in Gebesmair, A. and Smudits, A. (eds), Global
Repertoires: Popular Music Within and Beyond the Transnational Music Industry (
Aldershot: Ashgate Publishing), pp.21–32. Negus, K. &Hesmondhalgh, D.(2002)
Popular MusicStudies (London: HodderArnold). Negus, K& ... Price, S.
&Thonemann, P. (2011) The Birth ofClassical Europe: A History from Troy to
Augustine(London: Penguin).

Media And Popular Music

Author: Peter Mills
Publisher: Edinburgh University Press
ISBN: 0748664440
Size: 36.39 MB
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Elmes, Simon (2 008) And Now on Radio 4: A Celebration of the World 's Best
Radio Station. London: ... Gronow, Pekka and Saunio, Ilpo (1999) An
International History of the Recording Industry. ... (2002) Popular Music Studies.
London: Bloomsbury. Hesmondalgh, D. (2004) The Cultural Industries. London:
Sage. Hoggart, Richard (1957) The Uses of Literacy: Aspects of Working Class
Life. London: Chatto & Windus. Hooley, Terri (2010) Hooleygan: Music, Mayhem,
Good Vihrations.

The Rock N Roll Classroom

Author: Rich Allen
Publisher: Corwin Press
ISBN: 1452283869
Size: 30.89 MB
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Journal of Music Therapy, 21(1), 2–15. Furman, C. E., & Duke, R. A. (1988). Effect
of majority consensus on preferences for recorded orchestral and popular music.
Journal of Research in Music Education, 36(4), 220–231. Furnham, A., & Allass,
K. (1999). The influence of musical distraction of varying complexity on the
cognitive performance of extroverts and introverts. European Journal of
Personality, 13, 27–38. Furnham, A., & Strbac, L. (2002). Music is as distracting
as noise: The ...

Chances And Choices

Author: Stephanie Pitts
Publisher: Oxford University Press
ISBN: 019998669X
Size: 61.16 MB
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Music Education Research, 11 (3), 283–302. Green, L. (Ed.) (2011). Learning,
teaching, and musical identity: voices across cultures. Bloomington, IN: Indiana
University Press. ——— (2008). Music, informal learning and the school: a new
classroom pedagogy. Farnham: Ashgate. ——— (2002). How popular musicians
learn. Aldershot: Ashgate. Guardabasso, G. (1989). Music education in Italy: what
is going on? International Journal of Music Education, 13 (1), 35–36. Haddon, E.

Understanding Community Media

Author: Kevin Howley
Publisher: SAGE Publications
ISBN: 1483342859
Size: 62.35 MB
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The currency of collusion: The circulation and embrace of the ethic of authenticity
in mediated musical communities. Journal of Popular Music Studies, 17(3), 301–
323. Farouque, F. (2002a, May 21). ABA snarls at community radio. The Age (
Green Guide), p. 6. Farouque, F. (2002b, May 16). Community radio calls for
ratings. The Age (Green Guide), p. 4. Forde, S., Meadows, M., & Foxwell, K. (2002
). Culture, commitment, community: The Australian community radio sector.
Brisbane ...


Author: Music Library Association
Size: 32.20 MB
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